Current Performers
Greig Cooke

Greig graduated from London Contemporary Dance School in 1995 with a Post Graduate Diploma in Contemporary Dance and subsequently performed internationally for fourteen years originating roles for Adventures in Motion Pictures’s production of Swan Lake, Richard Alston, The Featherstonehaughs, Aletta Collins, Charles Linehan, Yorke Dance Project, Mark Bruce, Arthur Pita, Tom Sapsford, Fleur Darkin and the reworking of Peter Schaffeur’s west end production of Equus in 2007.
As a Teacher, Greig enjoys working with different age groups and abilities and teaches extensively in the UK delivering workshops and regular classes to schools, boys groups, professionals, over 50’s and vocational dance schools. Greig recently joined the selection team for the Exeter based, Centre of Advanced training in the South West, and in 2007 was a member of staff for London Contemporary Dance School’s Centre for Advanced Training and the rehearsal director for their youth performance company, Shift.
Eleanor Duval

Eleanor grew up in France and trained at the Hamburg Opera in Germany and Rambert school in London. Before joining The Mark Bruce Company for the production of ‘Sea of Bones’ in 2006 she worked with Dansconnect performing works by Scott Ambler, Jonathan Lunn, Nikki Smedley, Yael Flexer, Kenneth Tharpe and Richard Bank as well as various productions at Glyndebourne Opera and The Royal Albert Hall. Eleanor teaches for Swindon Youth Dance Academy and adult classes in Frome.
Darren Ellis

Darren trained at Rambert Dance School (1987-90), at the Laban Centre, and Transitions Dance Company (1990-91). He has danced with David Massingham Dance, Janet Smith and Dancers, PAGE Dance Theatre (Freiburg, Germany), Mark Bruce Company, Small Bones Dance Company, Jeremy James Dance Company, Matthew Bourne (Swan Lake original cast, Cinderella, Nutcracker! and Play Without Words), Random Dance Company and Snag Project (Jo Fong and Sarah Warsop). Darren has been teaching at Rambert Dance School since 2003 and joined Richard Alston Dance Company as rehearsal director in August 2005. In 2007 he danced in Martin Lawrance’s Brink and Richard Alston’s Gypsy Mixture. Darren has also performed in ‘Unbroken’ at the Gate Theatre, Notting Hill. Darren formed Darren Ellis Dance in 07 and made Romeo Error and Good to Go (for Evolution at The Place) and Tempt My Better Angel and No More Ghosts( for Richard Alston Dance Company). Darren is currently touring his solo ‘Sticks and Bones’ and is newly appointed associate artist at Dance East.
Joanne Fong

Joanne has been working in the UK and Europe as a dancer, choreographer and teacher for 20 years. She has performed with many dance and theatre companies including Rosas, Rambert Dance Company, DV8, Jeremy James, National Theatre Company, Ricochet, Arc, Extemporary Dance Theatre, Royal Exchange, Bock and Vincenzi, Carol Brown, Robin Dingemans, Mark Bruce Company, Igloo and most recently she worked with Nigel Charnock creating and performing Lunatic for National Dance Company Wales. In 2002, Joanne was awarded Best Female Dancer by the Critic’s Dance Circle. As co-artistic director of Snag Project Joanne presented and performed her own choreograhic work. Joanne also created two new productions for NDCWales and assisted the company as rehearsal director and artist development. Joanne has taught for many major dance schools and professional companies.
Caroline Hotchkiss

Caroline trained at The Northern School of Contemporary Dance and the London Contemporary Dance School at The Place. She then went on to work with Richard Alston Dance Company in 2001. Later Caroline worked with Jan De Schynkel’s Bark Dance Productions and Silesian Dance Theatre before joining the Mark Bruce Company in 2007. Other choreographers worked with are Lea Anderson, Jeremy James, Fleur Darkin and Yolande Yorke-Edgell for the Yorke Dance Project.
Elizabeth Mischler

Elizabeth grew up in Waunakee, Wisconsin, USA. Since moving to the UK she has worked with The Mark Bruce Company, National Dance Company Wales, New Adventures in Matthew Bourne’s
Swan Lake, Protein Dance, Jan de Schynkel’s Bark Dance Productions and in various productions at the Royal Opera House, Malmö
Opera (Sweden), Grange Park and the English National Opera. Elizabeth was a soloist with Ballet Theatre Munich from 1998-2003 in Germany performing works by Jiri Kylian, Jane Dudley, Rui Horta and Philip Taylor, among others. Elizabeth also teaches (for companies including DV8, NDC Wales, New Adventures), has rehearsal directed at National Dance Company Wales and is manager of The Mark Bruce Company. Elizabeth holds a Bachelor of Fine Arts degree in dance from the Juilliard School and a diploma from the Interlochen Arts Academy.
Ino Riga

Ino was born in Athens, Greece and trained at the State School of Dance in Athens between 1992 and 2003. She was the recipient of the Pratsika scholarship in summer 2003. Whilst in Greece she worked with Iniochos Theatre Company as a choreographer and assistant, and with Idanikoi Dance Theatre Company as a collaborator and performer. In Autumn 2003 Ino moved to England and joined Richard Alston Dance Company, where she stayed for two years. In May 2005 she performed in the Eclipse duet, revived as part of the “Robert Cohan at 80” celebratory performance at Sadler’s Wells. Ino then went on to work with Wayne McGregor and Random Dance Company. She took part in the creation of Amu, toured internationally and performed in other works including Ataxia and Nemesis and taught in the educational projects of the company until November 2006. From December 2006 to July 2009 Ino worked with Hofesh Shechter dancing, touring and teaching with the company. She has also worked with Darren Ellis Dance. Ino is currently working with the Clod Ensemble.
The Collaborators
Marian Bruce – Design
Marian is a visual artist making assembled installation/sculpture. She has shown widely in the UK and in the US, including
The Angel Trilogy presented on the Merlin Theatre Stage for the Frome Festival 2002 to 2004. Her work is currently on exhibit in
The Love London Recycled Show at The Wetlands in Barnes, South West London. In 1991 she began a parallel career designing for contemporary dance. Her recent stage credits include
Three Songs -Two Voices for The Royal Ballet,
A Steel Garden – Rambert Dance Company,
Hush -The Houston Ballet and Rambert Dance Company,
Rooster – the National Ballet of Canada,
Dance at the Crossroads – Ballet Mainz,
Ten Poems – Ballet Kiel and
Sea of Bones,
Bad History and
Stars – Mark Bruce Company.
Lucia Snell – Costume Maker
Lucia Snell has continued her professional career in costume since leaving The Donmar Warehouse and The Old Vic Theatre amongst many of London’s West End Theatres, making, designing and creating bespoke garments for fashion, theatre, film, festivals and individuals alike.
Pickled Image- Special Effect
Pickled Image is a production company specialising in puppetry for live performance and theatre. Since 2000 the company has created a distinct trademark style, which has become the brand for all its productions.
Over the years the company has gained international recognition for their darkly humorous visual productions and has won many awards for their work. Proud to be at the forefront of British puppetry the company is continuing to create exquisite puppets and performances, which are enjoyed all over the world!
Vicky Andrews trained as a sculptor, illustrator and theatre designer and has been involved in designing shows for venues such as Bristol Old Vic, Bath Theatre Royal and the Welsh National Opera over the past 10 years. Her artistic skills have been applied to producing and designing all of Pickled Image’s shows since 2000. As a driving force behind the Company, Vicky was responsible for developing the link with Nordland Visual Theatre based on the Lofoten Islands in Norway – co-produced Houdini’s Suitcase 2006 & Hunger 2009) and Delit De Façade in Paris – Mange Tout 2008. She is intrinsic to the creative process as a performer, maker and administrator to the company, often working in non-traditional theatre spaces with collaborators from all over the world.
Max Humphries
Max formed his first company at the age of six and twenty years later he’s still going strong, splitting his time between
designing shows in his head and in the real world. He has made work for Green Ginger; Pickled Image, Headlong,
Figurentheater Nordland, Bristol Old Vic, Farnham Maltings, Salisbury Playhouse and the Lyric Hammersmith amongst others, as well as performing in How to Build a Rocket (Farnham Maltings), The Love of a Good Woman (Soho Writers Centre), Jack and the Beanstalk (Lyric Hammersmith) and Un Boite Andalou (Bootworks).
“My puppets are built more out of the traditions of the eighteenth century automata makers then any modern puppet styles. The most important constant collaborator in my work, and my oldest friend, is mechanical science.”
Luned Aaron – Designer’s Assistant / Supervisor
Luned trained as a set designer at the Royal College of Music and Drama, Cardiff. Recently, she was set and costume designer for the National Dance Company Wales’ production ‘How to Use Curiosity in Ordinary Life,’ choreographed by Joanne Fong and shown at the Wales Millennium Centre. She has worked extensively as a designer with many theatre and television companies, including The National Welsh language Touring Theatre Company, Fiction Factory, DK4, Sherman Cymru. Cwmni Da and Apollo.
Guy Hoare – Lighting Designer
Dance includes:
Love & War, Sea of Bones,
Bad History,
Green Apples, Dive (Mark Bruce Company);
Bruise Blood, Flicker (Shobana Jeyasingh Dance Company);
The Land of Yes, The Land of No, Square Map of Q4 (Bonachela Dance Company);
And Who Shall Come to the Ball? (Candoco
); About Around, This Moment is Your Life, The Diminishing Present (bgroup);
Odyssey (Krische /Wright);
Havana Rakatan (Sadler’s Wells);
Mischief (Theatre Rites);
No More Ghosts, (Richard Alston Dance Company);
Me+You=5 (Robin Dingemans);
Show, Orange Gina, Sleep Talking, Allow Me, Flap, Bye, Spirit Level, Lonely Hearts/Suspicious Minds (The Snag Project),
Viking Shoppers (Igloo
); Green In Blue, Little Red, Tiger Dancing, How I Look, Expression Lines,
Seen of Angels, Second Signal,
White Space,
Dido & Aeneas, Finale, FPS, Frontline, In Broken Tendrils, Shot Flow, Melancholy Thoughts, A Moment of Give, Prime Origin, Ilé Ayé (Henri Oguike Dance Company).
Theatre includes:
Peter Pan, Be Near Me (NTS);
Serenading Louie (Donmar Warehouse);
Waste (Almeida);
Othello (West End);
A Christmas Carol, The Lion, the Witch and the Wardrobe (Birmingham Rep);
Bollywood Jane,
Macbeth ,
How Many Miles to Basra? (West Yorkshire Playhouse);
Kes, Season’s Greetings, (Liverpool Playhouse);
Amadeus,
The Little Fir Tree,
Fen,
Far Away,
Macbeth (Sheffield Theatres);
Of Mice and Men (Mercury Theatre, Colchester);
A Streetcar Named Desire (Clwyd Theatr Cymru);
Zero Degrees and Drifting…,
Could It Be Magic? (Unlimited Theatre)
Opera includes:
The Cunning Little Vixen, (National Theatre Brno);
The Magic Flute, Katya Kabanova, Don Giovanni,
Anna Bolena,
Susannah,
The Seraglio, Eugene Onegin (English Touring Opera);
The Ring Cycle,
The Magic Flute,
The Marriage of Figaro,
Tosca, Hansel and Gretel (Longborough Festival Opera);
Names of the Dead (Battersea Arts Centre)
Musicals include:
The Witches of Eastwick,
All the Fun of the Fair,
Aspects of Love (UK tours);
Assassins (Sheffield Theatres);
My Fair Lady (Singapore);
City of Angels (Frankfurt)
Rachel Macleay
Born and living in the West Country, Rachel gained a BA honours degree in fine art at Birmingham University. Primarily a Painter obsessed with buildings and industrial decay, Rachel also works in collaboration with Paul Boswell on sculpture under the banner “The Forge Collective”. Rachel has long been concerned with the detritus of our consumerist society and aims to give new life to these objects through the medium of sculpture. She has exhibited her work and installations in Birmingham with the Sozo collective, created installations with the Forge collective in Frome Somerset and around the UK.
Paul Boswell
Paul Boswell has been creating art for as long as he can remember…heavily involved in the Graffiti scene in the 90s, Paul Boswell continues to make street based work. His influences are wide ranging and transcend the generic Graffiti themes…Medieval art, gothic literature and film, sci-fi and comics are some of the reference points.
Paul Boswell ‘s work has a unique edge, half beast half human characters inhabit an unstable world of elemental forces, lost technologies mutate creating a universe of new possibilities. As well as street based work and sculpture Paul creates record covers, for bands such as Eat Static, plays the bass guitar, and constantly works in sketchbooks and on canvas.